Tag Archives: Pacific Theatre

Review: Mother Teresa is Dead at Pacific Theatre

Posted on March 3rd, 2013 by Brian

Something Pacific Theatre does exceedingly well is address big philosophical issues through stories about relatable events and individuals. Mother Teresa is Dead, a guest production by The Bleeding Heart Collective, raises a question that has surely occured to almost every … Continue reading →

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The Venue: Pacific Theatre

Posted on January 22nd, 2013 by Angela

The Venue is a profile series from Laura Murray Public Relations that ventures behind the scenes of Metro Vancouver’s foremost arts and culture venues, diving into the past and unveiling the unique stories and events that have made an indelible … Continue reading →

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Review: The Lion, the Witch, and the Wardrobe at Pacific Theatre

Posted on December 6th, 2012 by Brian

Last year, with just two performers on its intimate stage, Pacific Theatre presented a Christmas Carol that whisked audiences about Dickens’ London through a heartwarming and unique manner of theatrical storytelling. This year they have upped the ante, transporting audiences … Continue reading →

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Review: Wittenberg at Pacific Theatre

Posted on November 3rd, 2012 by Brian

Playwright David Davalos’ Wittenberg is a stimulating and thought-provoking piece of theatre that plays out like a fantasy-league for philosophical minds. Reaching across history and literature, it brings together Hamlet, Martin Luther, and Doctor Faustus in a probing narrative that … Continue reading →

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Review: The Spitfire Grill at Pacific Theatre

Posted on September 25th, 2012 by Brian

Musical theatre tends to be associated with massive casts, splashy numbers, and grand, showy productions. There is another category of musical, however, that eschews such elaborate measures and instead utilizes the unique properties of music to add layer, depth, and … Continue reading →

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Review: The Last Days of Judas Iscariot by Pound of Flesh Theatre

Posted on April 13th, 2012 by Brian

Within literature and theatre, the activity of analyzing, dissecting, and reinterpreting a work’s characters is beyond commonplace. Whether academically studying a character in an English Lit course or viewing a familiar story through a secondary character’s eyes (Rosencrantz & Guildenstern … Continue reading →

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